I’m going to follow a new show and provide commentary about the episodes. I’m going to deconstruct the issues of race, class, and gender as I see them. The new show I’ve picked is Trophy Wife, which has the tagline, “The third time’s the charm.” This post will is a bit long since I need to introduce the characters so bear with me.
The premise of the show is Kate (Malin Akerman), a “reformed party girl,” meets Pete (Bradley Whitford), a –you guessed it – highly successful lawyer, while dancing at a bar where she literally falls into his lap.
Pete has two ex-wives, both of whom are portrayed as less likable than Kate, who is, I suppose, “the charm.” Diane (Marcia Gay Harden) is Pete’s first wife, with whom he had two children, Warren and Hillary, twin 15-year-olds. Diane is a surgeon as well as an Olympic medal-winning athlete, and her success must preclude her from being likable, as with all successful women portrayed on tv. She is a cold character who does not appear to like Kate all that much; I suppose we’re to interpret this as jealousy, since Kate has the real prize.
Pete’s second wife is much less scary and threatening, as she is portrayed as a flake and a hippie. Jackie (Michaela Watkins) and Pete have one son together, Bert, who they adopted. Jackie does not seem to have a profession, and her day is overloaded when she discovers a new food co-op, something that is more important that taking care of her child. Her character is there to make Kate seem more earnest and adult-like, though I think it’s a toss-up. Jackie is yet another character that is used to dismiss care about one’s health and spirituality outside of mainstream religion. She is a joke to be laughed at, not a real person.
Suggesting that Kate is somehow reformed, one might expect that she had personal issues to deal with, but the show’s use of the word “reformed” is a stand in for “married,” or let’s say “kept.”
Trophy Wife shows us that being single and dancing at a bar is cause for concern, but not for the reasons you might expect.
Using the word reform might mean that she has a problem with alcohol abuse. If this is the case, the show does not seem to concern as Kate downs an entire water bottle of vodka to protect her stepdaughter, Hillary, from getting in trouble with her mother. Kate then must get a ride home with Diane, where we see Kate, drunk, in the back seat of her husband’s ex-wife’s car, looking as much like a teenager as the actual teenagers in the car. This scene reinforces the cold, adult role that Diane plays, in extreme contrast to Kate’s fun and likable one. When Kate’s drunkenness is discovered, Hillary’s mother, Diane, understands Kate’s actions and the family considers what she did to have been a noble effort. The only way Kate can be a mother figure is to drink?
None of the show’s characters are very well developed, and it’s just another show where the only thing the man brings to the table is money and stability, and the woman only brings looks.
The show’s producers are calling the title ironic, but I guess I’m still waiting for the punch line.